On Thursday 9 May, we have our Interiors auction. With a vibrant and eclectic mixture of curated lots, encompassing multiple styles, looks and periods, there is something for every interior. Here we take a look at some of the highlights.
Starting the auction, we have Lot 1, a modern fibreglass model of the Gaddi Torso, modelled after the antique. The marble Gaddi Torso displayed in the Classical Sculpture Room of the Uffizi Gallery in Florence is a Hellenistic work of the 2nd Century BC. Its dynamic tension and unusually refined modelling almost certainly place it amongst sculptures of the Pergamene school.
Formally considered to be the torso of a satyr when it was in the Gaddi collection in Florence, the sculpture is now thought to represent a centaur straining against his bonds, a theme that was represented several times in Hellenistic art, as it was an emblem of civilised control of Man's baser nature.
The auction offers timeless furniture, dating from the 17th century, through to the modern day. A lovely item, is Lot 35, a Charles I oak coffer. At over 380 years old, it has stood the test of time, showcasing the classic style of the period, with features including an arcaded frieze, above mitred panels and interspersed with stop-fluted stiles. This would provide a sustainable storage option, whilst adding character to any interior.
For those with more modern tastes and looking for a pop of colour, we have Lot 163, a contemporary Swedish flat woven Kilim carpet. Traditionally, Swedish Kilim carpets date back to the Vikings, however their popularity saw a resurgence in the 20th century. They typically feature a simple geometric design, such as this example here which is woven in bright blue hues. Due to the flat weave, these carpets are hard wearing, making them ideal for a busy living space.
The sale also includes a good selection of porcelain including pieces by Meissen, Chelsea, Herend, Derby and Dutch Delft. An impressive example is Lot 180, a Dutch Delft blue and white octagonal section baluster vase and cover, dating to circa 1700. It is particularly unusual as it still has its original cover, unlike many other similar vases from this period, which today would have likely been converted into lamp bases.
During the 17th and 18th centuries, the Dutch East India Company were importing vast amounts of Chinese porcelain to the Netherlands. However, the quality commanded high prices, meaning that these were reserved for royalty and the aristocracy. Due to their popularity at the time, Dutch potteries started to develop a transitional style, following the Chinese designs. As these pieces were made from tin glazed earthenware, a cheap alternative to porcelain, they were able to cater for the middle classes.
Heading south to Italy, we have Lot 184, a maiolica istoriato centerpiece or wine cooler. From circa 1900, it is a classic Grand Tour piece, designed in the sixteenth century Urbino style. During the late Victorian and Edwardian periods, 16th century istoriati pieces were seen around Italy in museums and aristocratic collections. These were highly collectable but very difficult to acquire. As a result, companies like Ulysse Cantagalli started producing copies, again made from tin glazed earthenware, thus providing a cheaper alternative and accessible to the middle classes.
Thursday 9 May, 10.30am BST
Donnington Priory, Newbury, Berkshire RG14 2JE
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